
Empire is a highly respected movie magazine, concerning itself
with reviews and features dedicated to recent and upcoming films of all genres.
Issue #275 from May 2012 sported Prometheus as its cover feature. Prometheus would come to be given a 74% “Fresh”
rating on Rotten
Tomatoes and be generally well-received by critics, and this cover does
certainly sell the film well. Unlike some other magazine covers, this one
actually reveals quite a lot about the film when looked at a little bit closer.
As far as I can tell, there are four fonts used (including
the masthead), but some of them are quite similar, so effectively there are
only two. The fonts used for the cover lines and the main cover line are very
similar to the font used for the title of the film, so this creates a sense of
the magazine being very closely related to the film and gives a sense of
uniformity. This font also fits well with the futuristic/science fiction genre,
helping to establish the tone of the film.
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The font used for all of the cover
lines is the same – only it’s been spaced out more or italicised as
appropriate.
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This font is very similar to the font
used for the film’s title on the cover – the main cover line.
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The font used for the banner…
…Is similar to the font of the
magazine’s masthead.
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The main image of the character Elizabeth Shaw has an
angelic glow to it, which seems to be coming from the doorway-like structure
behind Shaw. This centralises the fact that she is an important character in
the film, and the dark background could suggest that she brings a ray of hope
to a world of darkness.
The background image is of quite an important location in
the film. There is just enough dead space to be able to see the background
clearly. This makes a potential buyer of the magazine come to the conclusion
that it holds some significance, and helps them to establish the kind of film
that Prometheus is, and possibly part
of the story as well.
Several key plot points can be hypothesised from the image:
The fact that Shaw is alone suggests she is the single heroine of the film, and that in the end none of the other characters matter.
The glow highlights this fact: that she is the most important character and that she is possibly the one to allow the film to come to its conclusion.
Shaw’s costume, the strange structure in the background, and the fonts and colours of the cover lines (particularly the electric blue colour and the computer-like font of the main cover line) help to establish that the film is of the futuristic science fiction genre.
The fact that Shaw is alone suggests she is the single heroine of the film, and that in the end none of the other characters matter.
The glow highlights this fact: that she is the most important character and that she is possibly the one to allow the film to come to its conclusion.
Shaw’s costume, the strange structure in the background, and the fonts and colours of the cover lines (particularly the electric blue colour and the computer-like font of the main cover line) help to establish that the film is of the futuristic science fiction genre.
The dominance of dark colours around the sides and on Shaw’s
costume could also suggest that death or mourning - or a kind of dark and evil
entity - is present as well.
Another detail on the cover which reveals something about
the story (and that actually spoils the ending) is the banner. The words “The
new Alien” imply that this film has
something to do with Alien, which is
actually something that is only revealed right at the end of Prometheus.
The only image on the cover that does not relate to Prometheus is one promoting a Lethal Weapon feature. This shows the
clear dominance that Prometheus is
having in this issue, and that it’s clearly the most important film of the
month. In fact, the central cover line proposes that Prometheus is “the movie event of the year”.



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